Originally posted at David Horowitz’s Newsreal:

There is no limit to the amount of control that feminazis want to have over our lives. If women do not adhere to the unbelievably strict rules set down for us by the fascist feminist Left, then they are labeled anti-feminist and anti-woman. The latest example of the femisogynist litmus test is Taylor Swift, denounced as unfeminist… for writing about true love and having a wholesome image. The nerve!

Taylor Swift isn’t even 21 yet, and she’s already a force to be reckoned with. She became a superstar in 2006 at the age of sixteen, and today she’s sold over 10 million albums and appeared in several major motion pictures. She’s written her own music and said that most of her songs are autobiographical. She not only sings, but she also plays guitar and has produced much of her own music. Does any of this matter? Nope! Her latest song, Mine, has the femisogynists up in arms.

This song is rife with freaky-deaky, weirdo language that frames Swift as someone perpetually under the ownership, or at least care, of a male authority. The lyrics describe her as not a woman, but as a “careless man’s careful daughter” that her new boyfriend has “made a rebel of.” This is problematic to me, in the sense that it implies a transfer of her ownership from one man to another. I think it’s weird in this song that she doesn’t seem to have any sense of her own identity away from the love interest, or her father. I do, however, give her props for the use of the line “we got bills to pay.” Though grammatically incorrect, it implies that Taylor will be helping to pay the bills though some means of gainful employment. Let’s go back in time 50 years so that I can congratulate her on being progressive!

The other thing I found noteworthy was how Taylor was dealing with the transition from teen star to general entertainer. As much as she infantilizes herself, Swift is distinctly more adult here as compared to her previous videos. She’s got bills to pay! She has children! Usually when you see “teen” stars (she’s 20) make the transition from adolescence, they do it via the sexy route, à la Britney, LiLo, and Miley. This video is unique in the sense that Taylor Swift appears to be trying to age herself into a more matronly, albeit still conventionally attractive, role. It’s not often that we are encouraged to make an association between young pop starlets and motherhood….

Aside from completely misconstruing the lyrics, why does it matter what Taylor Swift writes about? Here is a self-made woman, someone who has built a career for herself, and done it in a classy, age-appropriate manner. For most rational, normal people, Taylor Swift is considered a role model. But it’s not good enough for the feminazis. Heaven forbid someone writes songs about their own feelings without consulting the fascist feminists about whether or not it’s considered Feminist Approved.

Feministing also jumped on the anti-Taylor Swift bandwagon, because Taylor Swift — a woman — is somehow “sexist.” And the reason that she is sexist is because a few femisogynists decided that the message of her music is somehow bad. Traditional love and romance is considered the most sexist thing ever when it comes to these enlightened beings. (After all, why should a woman be in a traditional, loving, respectful relationship?) When you consider that, as stated before, most of Swift’s songs are autobiographical, as in, based on her own experiences in relationships, it’s even more ridiculous. The feminazis claim that the issue is that music should speak to people, but obviously her music does speak to people, or she wouldn’t be selling millions and millions of albums. The issue here isn’t that women and girls don’t empathize with Taylor Swift’s lyrics, it’s that the feminazis want to decide what kind of relationships are sexist and not sexist.

The issue here is not about Taylor Swift. It’s about the monster that these feminazis have turned feminism into. Equality has gone completely out the window. It’s just like how pro-abortion advocates call themselves “pro-choice”. It isn’t about women deciding what choices to make for themselves. Taylor Swift, for example, is a successful, independent, wealthy woman who has accomplished so much at an incredibly young age. But because certain women who have hijacked the term feminist don’t like what she sings about, she’s automatically labeled as sexist and anti-feminist. Wouldn’t equality mean that a woman could choose to write whatever kind of music she wanted to write about… and that women could choose to listen to whatever kind of music they like? Feminism is not about a litmus test for how a woman lives her life, and it isn’t a list of rules. Feminism is about equality… something that the women who claim to be fighting for women’s right threw out the window a long time ago.