Grammys Go With Devil Worship In Primetime

Grammys Go With Devil Worship In Primetime

Grammys Go With Devil Worship In Primetime

We are sadly in the full swing of award show season, and Sunday night the Grammys held their annual bacchanalia and anti-fashion extravaganza. The event was capped off with the devil performing live onstage.

Now, I was under the mistaken impression that the Grammys was about music awards. So naturally, you would expect musicians to show up. Nope, the evening’s tone was set when Dylan Mulvaney, who is Joe Biden’s favorite “woman” (not that Joe knows what a woman is anymore) showed up to show off his new surgically altered feminized face.


And the comments are just gushing and raving about how glamorous “she” looks. Dude, those hips don’t lie. The patriarchy is truly winning when the most “glamorous” of women are the men. And it didn’t get much better from that point on. I could spend a lot of time pointing out the strange sartorial choices at the Grammys by celebrities that I don’t know much about – I will say that Harry Styles looks like he ran through a tinsel factory on the way to the stage – but it’s the cultural implications that truly are showing how degenerate we have become.

The biggest example of just how the culture has changed so radically is typified in Sam Smith. I had never even heard of this guy before this week, and frankly, I think I was better off that way. Apparently, Sam Smith believes that we are in Year Zero, and he is the first queer artist to ever exist. He apparently says he is non-binary now (because being gay is apparently too boring and passé for 2023), and released a new album last week.

Smith’s latest album, “Gloria,” was released on Friday and is a departure from his quintessential ballads and heartfelt love songs. In his new album, Smith opts for an edgier sound which the artist said they “fought so hard for.”

“Gloria” features singles like the smash hit, “Unholy,” which earned him his first number one single in the U.S.”

Smith said there was “lots of fear” around the release of “Gloria.”

“I think that you can’t blame people for thinking something’s not beautiful sometimes. Some people just didn’t like it, but it was a case where I had to sit there and be like, ‘Wait, maybe you don’t like that because you don’t understand it.'”

“The music industry is just not used to queer artists,” Smith added.”

Smith said the biggest risk on the album was “the element of sex.”

Did I mention that Sam Smith is a narcissistic moron?


But never mind that, Smith is fully committed to the bit. His new music video is apparently a porn romp, and his performance at the Grammys last night was pretty much a devil worship tribute show.


But but but Smith is so edgy and sang the song with a transwoman, so of course they won an award.

And the crowd claps like the trained politically correct seals that they are.

Now, as much as I would like to say that this crap can be ignored and we can all just wait for an asteroid to hit Los Angeles and call it a day, we can’t. You see, this stuff, like this number one song (seriously, read the lyrics and then tell me you want your teenagers singing that) is permeating the culture. Sam Smith proclaims himself “non-binary” and “queer” because being gay just isn’t enough in this cultural moment. “The element of sex” was his big risk on the album, as if Madonna’s “Like A Virgin” wasn’t released in 1984. Oh, see, here’s the problem – Sam Smith was born in 1992. Sex in music existed well before Sam Smith was born or thought of, not that he has the brains enough to actually research that for himself.

Smith knows that he is just the most recent retread of what has been going on in music for decades. His sole goal is attention, and if that means calling himself “non-binary” and dressing up like Satan to perform under red lights and with fire at the Grammys, then that’s what he’ll do. The sad part is that apparently, he was quite talented. But talent, in today’s music industry, does not equal attention. Doing what Sam Smith is doing does get attention, the way singers like Madonna and Lady Gaga and others have gotten attention in the past. We used to care about the quality of music and talent. There’s a reason that movies are still being made about Queen and Elvis. Now, all we need is a catchy beat, sung so loudly that no one can hear the quality of voice or the trashy lyrics, and devil horns. And don’t forget that men make the best women. Our cultural betters have decreed it to be so.

So the Grammys has had a full-out demonic performance this year. I wonder if the ratings, which have continued to be poor, will improve any with Sam Smith cosplaying Satan.

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Featured image: Grammy Award via AlanBlumlein on Wikimedia Commons, cropped, Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)

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8 Comments
  • KyPerson says:

    Tired of bein’ lonely, tired of bein’ blue
    I wished I had some good man, to tell my troubles to
    Seem like the whole world’s wrong
    Since my man’s been gone
    I need a little sugar in my bowl
    I need a little hot dog on my roll
    I can stand a bit of lovin’, oh so bad
    I feel so funny, I feel so sad

    This was sung by Bessie Smith in the 1920’s. And Sam Smith (who is a he, not a they) thinks he is something special because he uses sex in his songs? What a narcissist! He is only chasing fame but unlike Bessie Smith, he will not be remembered.

    • GWB says:

      We joke regularly about how everything in blues is a euphemism for sex, but especially food. And all from the first decades of the 20th century.

  • Cameron says:

    “The music industry is just not used to queer artists,”

    Laughs in Rob Halford.

  • GWB says:

    his new surgically altered feminized face.
    Ummm, it looks like an alien version of a human, where the alien has never seen an actual “beautiful” or “feminine” face. Ever. And the alien is going off a description from Stevie Wonder.

    looks like he ran through a tinsel factory
    WTeverlovin’F? That wouldn’t look good on most women, and it certainly looks weird on him.

    the biggest risk on the album was “the element of s*x.”
    They all think they’re so edgy. Dude, first n*die album cover was in like 1968 or something. Might have been as late as the 70s. And s*x in music? Hooey, that goes back to AT LEAST the 1920s. And I think looooooong before that – we just don’t have any recordings of that music.

  • GWB says:

    Well, there was more to that comment, but WordPress won’t let me post, and I can’t figure out why. It keeps giving me a 500 error. I can’t find any more naughty words (I bowdlerized the ones above in case those were the initial problem). I can’t find any code injects. If there’s a word limit, this one wasn’t as long as my other recent one, and that one went through just fine. Beginning to think I done something wrong.

  • Jim Raclawski says:

    IN can never become OUT…. boys can never be remade as girls…

  • Mr. Michael says:

    The link didn’t work for me, might be on my end. But I take it the scene looked like a Biden speech?

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