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A quote: “Never underestimate the power of jealousy and the power of envy to destroy. Never underestimate that.” ~~ Oliver Stone
I’ll start with a story …
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As he came up the path, I knew he was dragging his feet.
He stopped, raised up his hand showing me an empty portfolio. “I’m expelled.”
“We knew this could happen. It’s not the end.”
“Yes it is! Art creation is a licensed profession. Hell, I can’t even buy supplies. And the bastards confiscated my project!”
I smiled. “Those were copies. Our ‘net has already sold more than half your originals. You’ll get supplies and you’ll thrive.”
He hugged me, sobbing like he hadn’t since his mom died.
“Son, it sure does pay to have dad, the outlaw writer.”
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Now, it’s your turn.
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. featured image, cropped, Adobe Stock standard license.
I’m actually picturing Bob Ross, sitting there, creating a painting of a Chicago DNC riot (2024, not 1968). As he dabs at the canvas to create their little heads and a quick upstroke for the little flame on a Molotov cocktail, he’s got that running monologue going…
“See, this is a nice peaceful riot. It’s lively, though. See the flame lick upward? You flick the brush like this. See all the happy faces? And look, there’s trees in the median. Let’s make the trees happy, too, as they are ignited by the rioters. The ones being cut down for clubs are unhappy, though. …”
It’s probably funnier in my head than written out here.
Oh, I’m imagining it rather well right now.
He walked up behind the man and remained quiet as he painted. His own skills were decent but this person was on a higher level. Every dab of the brush somehow created little details that others would miss. The street looked slick and he could almost hear the street car-
No. He did hear the street car. And the noise of the crowd. And could smell the city. He looked at the man in shock. “Who are you?” he asked.
The painter turned around and grinned at him. “Just a mage with some talent for drawing. You ready to learn?”
Nice
I really look forward to these.
My mechanical drawing prof would struggle to give it a C minus because of the perspective errors. My impressionist prof would be a whole lot more understanding. For me, it captures a moment and a mood. Better still, it is a moment and mood that the tourists want to take home, even though their brief visits to this street seldom occur during such moments and moods. Being able to efficiently crank out theme and variations on this pays for the groceries and rent that allow my family and me to live here for when such moments and moods do happen.
My greatest problem in school was not understanding that teachers wanted their students intelligent, but not too intelligent. They wanted students who would reflect glory on them, not outshine them. So I never understood why my teachers would be all praise for the first few weeks of a new school year, only to turn nitpicky and look for every excuse to grade me down, to give me a B instead of an A. I asked “too many questions,” never mind they told us that asking questions was how we learned. I used “too many big words,” never mind our teachers were constantly pushing us to expand our vocabulary. Worst of all, I liked topics that were “too obscure” — and only years later, in retrospect, did I realize that it was code for “too hard for them to understand, therefore threatening because I clearly did.”
I thought getting out in the working world would change that, especially in an industry that was supposed to want smart employees. But it wasn’t long before I fell into the same pattern: the boss had nothing but good to say about me for the first month or two, and after that, nothing but endless sniping criticism meant to cut me down rather than improve my performance. Eventually I’d get the message and look for a new job, only to have the cycle repeat itself.
At least I didn’t have expensive tastes or habits, so I was able to sock away a decent amount of money during those years. These days I live in a little beach house that belongs to an old friend, and I spend my days painting in the nearby tourist-trap town, attracting enough attention that I sometimes get commissions, as well as the sales of my on-spec pieces.
Recently I’ve been talking with my new neighbor, a retired doctor who’s been introducing me to terms such as “neurodivergent” and “Asperger’s.” It’s given me a lot to think about, although at this point in my life, I’m just as happy where I am.
“Joe, your painting is exquisite.”
For once, it wasn’t his mom. It was his girlfriend, the assistant curator of the Museum of Modern Art, and that was much better. If she liked his paintings, she had the strings to get him into art studios around the nation.
“Thanks, Kim. You really think so?”
“Your originality with impressionism gives it a fresh face. People will love what you’re doing with it. Do you have others?”
“Not much with impressionism. I’ve just started to dabble in it, but….”
He gave her his best winning smile.
“Would you like to see my portfolio?”
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